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Louange à
l’Éternité de Jésus, from Le Quatuor pour
la Fin du Temps, |
| by Messiaen. |
| Simon Graham mixes images of time with footage
from live performance. Using video feedback Simon has created a series
of infinity-loops where the performer’s image is mirrored infinitely |
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Movements I&II
from Sonata BWV 1028 for Viola da Gamba and Harpsichord, |
| by J.S. Bach. |
Simon Graham’s classical music
video features footage of Charlotte performing in Kings College Chapel
London and on the
streets |
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| Somewhere, |
| by Bernstein. |
| Featuring Matthew Smith’s evocative film of
New York |
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Seguida Española, for Cello and
Guitar, |
| by Nin (arranged for guitar by K. Ragossnig). |
| Matthew Smith’s footage features Amanda Cook’s
performance on the guitar |
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| Guitarre, |
| by Moszkowski. |
| Featuring photography by Andy Mackay |
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| Kol Nidrei, |
| by Bruch. |
| Featuring the landscape photography of Enda Farrell |
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| Élégie, |
| by Fauré. |
| Artist John Cunningham turns windows into stained
glass. The use of time-lapsed video enables the audience to watch
the piece appear from nothing |
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| Inner World, |
| by Carl Vine. |
| Jon Marc Swansbury’s video uses various sound
to light, and sound to graphic, technologies. Vine’s music then
creates the visuals as the sounds and frequencies come to life on
the screen |
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| December Sky: Improvisation for Cello and D.J. |
| by Dan Bowater & Charlotte Eksteen. |
| December Sky features time-lapsed video footage
of skyscapes filmed around the UK |
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| Here There and Everywhere, |
by Lennon and McCartney
arr. Bill Thorp. |
| Featuring footage of the innerworlds artists at
work |
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Langsam, from
Fünf Stücke im
Volkston, |
| by Schumann. |
| Featuring photography by Enda Farrell |
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| Cello Suite No. 1, |
| by J.S. Bach. |
| Sandra Harnisch-Lacey brings new immediacy to the
dance form of Bach’s suite |
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